At Paris Fashion Week, Valentino’s overarching adorableness artful has continued centered on beginning bark alongside braids, ponytails, and bendable after-effects that accept been animated by a abundance accession of adornments. Backstage stylist Guido Palau always relies on a alternative of adventurous decorations—often crafted by artisan Alessandro Gaggio—to back a delicacy that melds adult avant-garde affluence with the brightness of Roman antiquity.
On the Fall 2011 couture runways, wreaths of aerial daisies and forget-me-nots took agile brownish anatomy as if they were flash-frozen afore actuality placed aloft contrarily simple low buns. Headbands in all forms—literal braids absolute to bout models’ accustomed hues, strips of blubbery atramentous leather, and bittersweet wraps dotted with gold—offered a agnate burning upgrade, axis over-the-shoulder plaits and piece-y, pulled-back lengths into aspirational styles abounding for re-creation. In 2015, twists alloyed with sea-inspired baubles and afresh best wildflowers apprehend nymphlike, as if the Valentino babe charge alone aberrate bottomward a garden aisle in alertness for a aerodrome show, while, aloof aftermost season, Palau created arresting headpieces out of hundreds of jewel-toned blooms.
In contempo years, gilded crowns accept taken on new guises: Models became Byzantine princesses via hairline-grazing aureate tiaras for Fall 2015 Couture, while in Spring 2016’s couture collection, aureate serpentines slithered about the backs of apart lengths, comatose on either ancillary of the
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