By Peter BiskindSimon & Schuster. 640 pp., $30Jan. 17, 2010
How Warren Beatty shined in Splendor in the Grass, but watched his ablaze advance aback he followed it with two flops in a row, and became bigger accustomed for his romances than his performances, absorbing and abandoning Joan Collins and Natalie Wood.
ON A HOT summer night, in 1959, Warren Beatty and Jane Fonda were accepting banquet at La Scala, on Little Santa Monica in Beverly Hills, aback Beatty spied Joan Collins at a adjacent table. Collins, a arresting brunette, was a younger, svelter, later-model Elizabeth Taylor, with a British emphasis to boot. She had been dubbed “the British Open,” for her array of flush boyfriends. But Collins was no — she had a bitter wit, which she would occasionally exercise at Beatty’s expense, as she would prove nineteen years afterwards in her autobiography, Accomplished Imperfect. Afresh twenty-six, she was four years his senior, and had been in Hollywood for bristles years, accepting appeared in a cardinal of low-rent pictures, including Acreage of the Pharaohs, a brand and sandal ballsy wherein she lay burst while cradling a design (paste, of course) in her navel. At the time, she was training with Bonbon Barr
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